Fenzi Dog Sports Academy - FE660: Chase the Dog

Course Details

Are you tired of blurry or poorly lit photos of your energetic pup? Photographing dogs in action can be a challenging task, but with the right techniques and tools, it can also be incredibly rewarding. In this course, you will learn how to capture the energy and excitement of dogs in motion, whether you are photographing your own pet or working with clients.

In this course, you will learn the technical skills and creative techniques needed to produce dynamic action photos. You will gain an understanding of how to use your DSLR or mirrorless camera and its features to freeze motion and capture the perfect shot. The course will cover the following topics:

Camera settings: You will learn how to adjust your camera settings to freeze motion, including shutter speed, aperture, and ISO.

Autofocus: You will learn how to set up your autofocus system to track moving subjects and capture sharp photos.

Lens selection: You will learn how to choose the right lenses for action photography, including telephoto lenses and fast primes.

Composition: You will learn how to compose your shots to capture the action and create dynamic images.

If you're a pet owner with an interest in photography, you'll leave class with a newfound understanding of how to capture your dog's playful energy in images that will last a lifetime. You'll be able to share your photos on social media, print them out, or even create beautiful wall art to decorate your home.

If you're a dog sports pro photographer (or aspire to be one!), you'll learn the tricks and techniques of capturing the perfect shot, including how to adjust for challenging lighting situations and how to anticipate a dog's movements in a variety of sports.

Gold students, you will receive personalized feedback on your photos, helping you fine-tune your skills and create truly standout photos.

Don't let another opportunity to capture your dog's playful spirit slip by! Whether you are a professional photographer or just a dog lover looking to capture better photos of your four-legged friends, this class is sure to improve your abilities and inspire you to take on new challenges in the world of canine photography.

There are no FDSA prerequisites for this class. However, this is an advanced photography class and not intended for students who are beginning photographers. (Shoot the Dog, also offered this term, is a great class to consider if you're not ready for this one!)

Teaching Approach

This class will have a Teaching Assistant.

The class consists of a mix of written lectures and screen-capture videos. During Weeks 1-3, there will be two Photo Lab assignments per week. The bulk of the lectures will be released in these first three weeks.

Weeks 4-6 will be more of a "choose your own adventure". There will be fewer lectures with new material. Instead of specific, directed assignments, Gold students are given the freedom to choose what to photograph and post (within the topic of photographing moving subjects), constrained by a weekly limit. Those details will be listed in the Homework forum.

GOLD STUDENTS have an "All Access Pass" for this class. You will complete the Photo Labs and receive feedback on the results. You can post in your own Homework Forum thread, as well as posting more general questions that may apply to all students here in the Class Discussion forum.

SILVER STUDENTS will have access to interact with the instructor and Gold students in the Discussion forum and will be given the opportunity for a limited amount of direct feedback on their images.

BRONZE STUDENTS are auditors and can read everything that is written, but not interact with the students or instructor directly.

See the "Prerequisites & Supplies" for details about the equipment I recommend for the class.

Instructor: Amy Johnson

Amy Johnson (she/her) is the official show photographer for many of the premier agility events in the United States, including the AKC National Agility Championships, AKC Agility Invitational, USDAA Cynosport World Games, UKI US Open, and NADAC Championships, as well as numerous local trials, regional events, and breed national specialties. She has photographed a wide variety of dog sports, including agility, obedience, rally, and conformation. (Click here for full bio and to view Amy's upcoming courses.)

Syllabus

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As with all my classes, the syllabus is fluid. This is a very broad overview of the topics we will cover within the course.

Course Content

Setting reasonable expectations for yourself
Equipment choice and why it matters
Predictable vs. Unpredictable motion
How to choose your exposure settings for motion
What is hiding in your camera’s menus?
Strategies for continuous focus success
How to hack the Plane of Focus to capture peak action
Editing a photo session - Which photos do I keep and which do I delete?
Identifying moments of peak action - Which photo is the best in a series of good?

Prerequisites & Supplies

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There are no FDSA class pre-requisites for this class. However, this is an advanced photography class and not intended for students who are beginning photographers.

Students in Chase the Dog must have a strong understanding of how their DSLR or mirrorless camera works and be comfortable taking photos with it. This includes, but is not limited to:

Understand the three elements of exposure (shutter speed, aperture, and ISO)
Understand how the three elements of exposure impact the way an image looks
Be able to consistently choose the appropriate exposure for a subject
Have experience photographing in Manual Exposure mode, even if it is not your primary choice for exposure mode
Be able to take tack-sharp photos of subjects that are stationary (because if you can't take sharp pictures of subjects that aren't moving, how are you going to take sharp photos of subject that are?)

Camera recommendations

While a good photographer should be able to take good photos with any camera, photographing dogs in motion is one instance where a better camera will result in better photos.

Canon

Mirrorless R3, R5, R6, R6 Mark II (these are exceptional cameras, especially for moving subjects)
Other mirrorless bodies R7, R8, R10 (may have fewer features, but will still perform better than most DSLR cameras)
Any of the 1DX pro bodies (recommended, but expensive)
Other Canon bodies can be used, but their autofocus systems may not perform as well under some conditions (low light, low contrast, or erratic movement)

Nikon

Z9 (this is an exceptional camera, especially for moving subjects)
Z8 (also exceptional, announced and shipping soon)
D5 or D6 pro bodies (recommended, but expensive)
D500 or D850
Other Nikon bodies can be used, but their autofocus systems may not perform as well under some conditions (low light, low contrast, or erratic movement)

Sony

a9ii, a1 (these are exceptional cameras, especially for moving subjects)
a9, a7iii, a7iv, a7Riii, a7Riv (also recommended)
Other Sony bodies can be used, but their autofocus systems may not perform as well under some conditions (low light, low contrast, or erratic movement)

Any other Canon, Nikon, or Sony DSLR/mirrorless camera is acceptable, but you may find that the camera struggles more to track the movement of your subject.

Lens recommendations (all cameras)

You do not need ALL of these lenses, just one is sufficient for class.

70-200mm f/2.8 (or f/4)
24-70mm f/2.8
24-105mm f/4
Any moderate zoom lens with a fixed maximum aperture
Variable aperture lenses are generally lower quality lenses and may not perform well under certain situations. However, they are acceptable for the class as long as the student acknowledges their limitations.
If you will be photographing in a smaller space (i.e. your backyard), you will want to use a shorter lens (24-70mm or 24-105mm).

I shoot with Nikon, Canon, and Sony. I know the focus systems of these brands well and can offer technical tips and tricks for all of them. I do not know the focusing systems of any other brand -- Fuji, Olympus, etc. There is some information in this class that will translate to any camera, but some of my tips may only work for certain brands.

If you have specific questions about your gear and its suitability for the class, please email Amy at amy@focusedwild.com.

Sample Lecture

Types of Motion: Predictable VS Unpredictable

DEFINITIONS

First we start with some vocabulary to make sure we are all on the same page. I will avoid using brand-specific terminology and stick to the more general terms instead.

Plane of Focus is the portion of the photo that is sharply focused. It is established when you engage your camera’s autofocus system and tell it where to focus.

Here is a very short video demonstrating Plane of Focus:

Continuous focus mode or focus tracking is the autofocus mode notated by AF-C in Nikon and AI-Servo in Canon. This is the focus mode where the camera will continually refocus as the subject (or the camera!) moves. This is often (but not always) the best way to get sharp photos of moving subjects.

In continuous focus mode, the Plane of Focus (POF) is constantly changing as the distance between the camera and the subject changes.

Single shot focus mode or focus lock is the autofocus mode notated by AF-S in Nikon and One Shot in Canon. This focus mode is the one that allows you to focus on something and it will stay locked at that distance until you decide to refocus elsewhere. When you use focus lock, you are establishing the Plane of Focus (POF) at a certain distance away from the lens and the camera. You are *not* telling the camera to stay focused on a certain thing, so if you move the camera, the POF moves with you.

Active autofocus (AF) point is the single focus point you are allowing the camera to use to take the photo. We use a single focus point because we are control freaks. We want to be precise when we select the part of the image that should be in focus. Your camera should have a control button or dial that allows you to quickly change which AF point is active. The center AF point is not always the best point to use. The more comfortable you are moving that active point around, the faster you will be able to compose your shots in-camera, even when the motion is coming at you quickly.

TYPES OF MOTION

In my head, photographing motion is broken up into two broad categories -- motion that is predictable and motion that is unpredictable. The settings you use can depend on which types of motion you are photographing. Don’t panic if this doesn’t all make sense at first. This is the really broad view of the entire class and we’re going to take six weeks to start to figure it out.

Predictable motion with pre-focus

Predictable motion with pre-focus is the kind where you know what the dog’s path is going to be, such as in agility. In addition, there must be some fixed point along the dog’s path where you can pre-focus (using single shot focus mode) and wait for the dog to “break through” the POF. In agility, the obstacles themselves serve that purpose.

Agility it the poster child for predictable motion with pre-focus. The success of the shots does depend on the dog following the course as it’s numbered. It also depend on being able to visualize the POF and pick a point on the obstacle that makes the most sense to capture the moment you want as the dog performs the obstacle. It’s all one big strategy game to me — a puzzle to work out in my head. Sometimes I pick right and I win (get the shot) and sometimes I choose poorly and I lose (miss the shot).

The active focus point is chosen to minimize the amount of recomposing the shot. When you recompose (move the camera slightly to make the composition of the shot better), you also shift the POF slightly. This can sometimes work in your favor, but more often than not, it doesn't.

The other consideration for choosing your active focus point is the background. If there are lots of straight lines and high contrast, you know that the camera is going to be drawn to that like a bee to honey. Selecting a focus point that uses an area where the camera can’t get confused about what you want it to focus on is critical to achieving a tack-sharp image.

Predictable without Pre-focus

There are some kinds of motion that are predictable but have to be photographed with continuous focus. Obedience, Rally, and lure coursing are three that come to mind. Horse dressage would be another. The dog (or horse) is following a pre-determined path or pattern, but there is nothing along that path to allow us to pre-focus. In those cases, we use continuous focus, but we should have a very smooth motion as we’re following the dog with the camera, since we know where the dog is going next.

Once you’ve gotten experience with this type of predictable motion, you will find that you have a much better keeper rate since you can predict where the dog is going to be.

Unpredictable motion

Everything else is unpredictable motion. This includes dog sports like nose work and disc dog, as well as those crazy play sessions that take place in your backyard or out on a hike. That unpredictability is what makes taking these kinds of photos so difficult. We follow the dog’s motion with the camera as best we can, but any quick turn or unexpected motion may cause the camera’s autofocus system to lose track of the subject and result in blurry pictures.

With unpredictable motion, there is no opportunity to pre-focus, so we have to use continuous focus mode. The active focus point is chosen to keep the dog in the appropriate part of the frame to allow for adjusting the composition after the fact. There’s an art to finding the right balance of shooting too tight and shooting too wide.

The critical skill to develop with unpredictable motion is panning. Your movements need to be smooth and steady. You have to keep the active focus point locked on a point on your subject that will make the face (especially the eyes) the sharpest part of the image. You need to anticipate where your subject might go next in order to keep it in the frame.

Capturing unpredictable motion, particularly motion of fast-moving dogs, is one of the hardest types of photography there is. You will have a million duds that just end up in the trash. Over time, you learn strategies and techniques that will improve the odds of getting more shots in focus.

This purpose of this class is to teach you some of the strategies and techniques that I have developed over the years. You will not be an expert at it at the end of six weeks. But you will have a start on training your eye and your mind to anticipate what is going to happen and react faster. You will develop a feel for your equipment and know what it is capable of, as well as knowing what kinds of things will be almost impossible to photograph.

In your first Photo Lab, you will think about the types of motion you usually photograph and categorize them according to these terms. Is it Predictable with Pre-focus? Or Predictive without Pre-Focus? Or is it Unpredictable? (More detailed instructions follow in a separate post.)

Testimonials & Reviews

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A sampling of what prior students have said about this course...

Amy, you are an awesome teacher and I LOVE your classes! The lectures, labs, and feedback in both the discussion forums and the homework forums are informative and easy to follow. Your addition of the various video analysis for different techniques has been wonderful and extremely helpful. My gear is mostly just entry level and for various reasons always will be but through the classes that I've taken with your I feel that I am able to maximize my results through the info you've provided and despite the limitations my photography has improved far further than I ever imagined. I still have lots to learn and I will surely keep taking your classes anytime they are offered. I am so very grateful for the opportunity to be on this journey with you. Thank you!

I loved this class. It really pushed me beyond my comfort zone and made me grow as an amateur photographer. Just what I was hoping for with this class. I am looking forward to future classes with Amy!

As always, Amy is amazing. She has a gift not only for photography but for sharing her passion and knowledge with all the rest of us. She is always positive and always encouraging, even when telling us that we've totally blown it. Can't wait for the next class!

This was a really great class. Super practical and lots of information that is just not available anywhere else. Great job Amy!

I've been wanting to take a photography course for a long time, but they always focus on people (portraits mostly, and often on wedding photography) or landscape photography. When a course came up for dogs in motion? I knew I was going to join in on this as soon as I saw it! Amy is phenomenal in every way. Not only is she an amazing photographer, but she THINKS her way through it. And she's able to explain it to her students in terms that make complete sense (which, as someone who has taught online classes herself, I know is NOT the easiest thing). Her video series walking us through her thought process when she takes photos has been invaluable. I learned so much just by getting a glimpse inside her mind. If anyone wants to know more about photography, and especially in relation to our dogs, this is THE PLACE to take a photography class.

Registration

Next session starts: April 1, 2024
Registration starts: March 22, 2024
Registration ends: April 15, 2024

Registration opens at 10:30am Pacific Time.

FE660 Subscriptions

	Gold	Silver	Bronze
Tuition	$ 260.00	$ 130.00	$ 65.00
Enrollment Limits	15	15	Unlimited
Access all course lectures and materials	✔	✔	✔
Access to discussion and homework forums	✔	✔	✔
Read all posted questions and answers	✔	✔	✔
Watch all posted videos	✔	✔	✔
Post general questions to Discussion forum	✔	✔	✖
Submit written assignments	✔	✖	✖
Post dog specific questions	✔	With video only	✖
Post videos	✔	Up to 2	✖
Receive instructor feedback on	Questions All videos	Questions All videos	✖

Find more details, refund policies and answers to common questions in the Help center.

FE660: Chase the Dog - Photographing Dogs in Motion